Library of Congress - National Union Catalog of Manuscript Collections
Papers chiefly relating to Polner's research on Vietnam veterans for his book No Victory Parades and on the question of amnesty for When Can I Come Home?, including correspondence (1963-1972), mss. of both books, transcripts of taped interviews, questionnaires, research notes, articles by Polner and others, copies of legal briefs, and clippings; audio tapes of oral histories of American Jews who were conscientious objectors or who resisted serving in the military during World War II or the Korean War; and research notes and correspondence about the evacuation of Japanese Americans from the West Coast during World War II and information about the Vietnam war, conscientious objection, and constitutional rights of GIs. Correspondents include Edward I. Koch, Robert Jay Lifton, James Reston, Jr., and Edward F. Sherman, contributors to When Can I Come Home?
Boston University,-- Dept. of Special Collections
Manuscripts of novels, tape cassettes with interviews, and correspondence with publishers
Library of Congress - National Union Catalog of Manuscript Collections
The bulk of the records consist of correspondence with both individual and institutional members. There are scattered minutes, financial records, committee and task force records, educational materials and research papers, material about conferences, programs, and projects, and slides accompanied by a script and cassette -- Correspondents include Elise Boulding, Berenice A. Carroll, Charles Chatfield, Adam Curle, Nadia Derkach, George Kent, Fay Honey Knopp, Jerome Laulich, Gloria Lund, Phillips Ruopp, and Paul Wehr
Hightstown-East Windsor Historical Society
Audiotape cassettes of several meetings of the Hightstown-East Windsor Historical Society, Hightstown, N.J.; oral history interviews produced by the society; cassettes, transcripts, and related correspondence from an oral history project (1975-1976) concerning Hightstown and the Great Depression; recording containing reminiscences (1976) of Adele Ely; and two tape cassettes of tenor John Miles, a graduate of Hightstown High School, with a photograph
Library of Congress - National Union Catalog of Manuscript Collections
Correspondence, minutes, reports, studies, brochures, printed material, audiocassettes, photos, and other records
Mahoning Valley Historical Society
Minute books, financial records, bank statements, checkbooks, scrapbook, correspondence, club history, membership lists, obituaries of members, newspaper clippings, audio casettes, ephemera, programs, photographs, negatives, filmstrips, and other materials -- Includes certificates to membership in Youngstown Federation of Women's Clubs and General Federation of Women's Clubs
State University of New York Albany
The bulk of the records of the Environmental Advocates (EA) of New York document the legislative activities of the organization from the 1980s through the late 1990s. The records consist of correspondence, notes, meeting minutes, reports, memorandums, publications, news clippings, promotional material, as well as the administrative files of Lee Wasserman, Val Washington, and Loretta Simon. The strength of the collection lies in the Legislative Issues series, which documents in detail the organization's position on issues, including acid rain, New York's Bottle Bill, energy, hazardous waste, pesticides, solid waste, and water, among others
Getty Research Institute
Interview with Gloria de Herrera was conducted in Paris by her friend the art curator and historian James Byrnes. A transcript of the interview is available in Special Collections accession no. 980024, box 3, folders 1-2
Getty Research Institute
The collection comprises sound and video recordings made during the program Modern Art in Los Angeles: The Sixties, held on December 9-10, 2004 at the Getty Research Institute. The program consisted of two group sessions and a public panel discussion. Participants included: gallerists Irving Blum, Everett Ellin, and Patricia Faure; art patron and Gemini G.E.L. co-founder Stanley Grinstein; curator Henry Hopkins; and Thomas Crow, Andrew Perchuk, and Rani Singh of the Getty Research Institute. The Getty Research Institute (GRI) hosted events and conducted oral histories inspired by the "Modern Art in Los Angeles" theme beginning in 2003. Much of the research and product generated by the GRI's Modern Art in Los Angeles activities has been incorporated into the Getty's larger initiative, "Pacific Standard Time: Art in L.A.," which focused on postwar art (1945-1980) in Los Angeles
Getty Research Institute
The papers document Greenberg's personal and intellectual development from age nineteen until his death. Greenberg's letters to Harold Lazarus, together with the journals, tell of the critic's artistic and literary ambitions, his obsession with Partisan review colleagues, and his friendship with artists such as Pollock, Frankenthaler, and Noland. Manuscripts, seminars, and lectures, unpublished and published, reveal Greenberg's writing process and the evolution of his ideas from the 1920s until his death. Work files include clippings and writings on Jackson Pollock, David Smith, Morris Louis, and Jack Bush. The compilation of clippings spanning several decades portray the shifting public view of Greenberg, while photographs and tapes preserve a visual and audio record of him lecturing and otherwise interacting in the art world. Diaries, journals, and select correspondence sealed

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