University of Texas at Austin - Harry Ransom Center
The Jim Crace Papers consist of manuscript drafts, scripts, advance proofs, notes, notebooks, research material, correspondence, clippings, scrapbooks, photographs, serial publications, books, sound recordings, moving images, watercolors, juvenilia, posters, and ephemera from the English novelist Jim Crace. The personal and professional papers span Crace's writing career and document his diverse range of creative output which includes novels, essays, investigative journalism articles, short stories, dramatic and educational radio scripts, television scripts, watercolor paintings, and some poetry
University of Texas at Austin - Harry Ransom Center
The career and personal life of American attorney and author Morris L. Ernst are documented from 1904 to 2000 through correspondence and memoranda; research materials and notes; minutes, reports, briefs, and other legal documents; handwritten and typed manuscripts; galley proofs; clippings; scrapbooks; audio recordings; photographs; and ephemera. The papers chiefly reflect the variety of issues Ernst dealt with professionally, notably regarding literary censorship and obscenity, but also civil liberties and free speech; privacy; birth control; unions and organized labor; copyright, libel, and slander; big business and monopolies; postal rates; literacy; and many other topics. The collection has been organized in four series: I. Correspondence, 1914-1976; II. Legal Cases and Causes, 1911-1975; III. Writings, 1925-1975; and IV. Personal Papers, 1904-2000. The materials are primarily in English, with a few items in Spanish and German
University of Texas at Austin - Harry Ransom Center
The Helmut and Alison Gernsheim Papers consist of article and book drafts, correspondence, research materials, and collected correspondence and works that document the Gernsheims' long career as collectors and photo historians
University of Texas at Austin - Harry Ransom Center
The Marcella Spann Booth Collection of Ezra Pound consists of journal entries, manuscript drafts, poem fragments and notes, proof materials, correspondence, newspaper clippings, photographs, published material, a scrapbook, and artifacts related to the poet Ezra Pound and professor Marcella Spann Booth
University of Texas at Austin - Harry Ransom Center
The Jean Malaquais Papers consist of manuscript drafts, correspondence, notes, clippings, scrapbooks, photographs, journals, and bound volumes belonging to the French writer and translator Jean Malaquais
University of Texas at Austin - Harry Ransom Center
The Nicolas Freeling Papers consist of manuscript drafts, correspondence, journals, clippings, contracts, and royalty statements belonging to the British mystery novelist Nicolas Freeling
University of Texas at Austin - Harry Ransom Center
Photographic prints, negatives, slides, correspondence, printed material, scrapbooks, and ephemera document the life and work of American photographer and fashion consultant Ferne Koch
University of Texas at Austin - Harry Ransom Center
The Ruth Robertson Collection documents Robertson's career as a writer and photographer in Illinois, Alaska, and Venezuela with prints, negatives, transparencies, manuscripts, clippings, correspondence, and ephemera
University of Texas at Austin - Harry Ransom Center
The Doris Lessing Papers document the English author's creative life through artwork, clippings, correspondence, galley proofs, journal pages, libretti, manuscripts, notes, objects, page proofs, photographs, play scripts, printed material, screenplays, and sound recordings. The focus of the collection is on her professional rather than personal life. The papers are arranged in two series: I. Works, 1943-2008, undated, and II. Personal and Career-Related, 1947-2007, undated
University of Texas at Austin - Harry Ransom Center
The Tobe Hooper Papers (1941-2013;1983, bulk 1967-2013;1975) document the creation of Hooper's first feature-length films, Eggshells and The Texas Chainsaw Massacre. The Hooper Papers include production notes, publicity materials, photographs, negatives, slides, clippings, serials, and props related to the creation of these films. The collection also contains other personal and professional documents, including correspondence, materials from the 1975 Cannes Film Festival, and foreign film posters. The timespan documented in this collection is limited and does not encompass the entirety of Hooper's lifelong career in the film and television industry. The Papers are divided into three series: I. Films, 1970-1975, 1982, undated; II. Career and Personal, 1967-2013;1983, undated; and III. Serials, 1941, 1966-2013;1977