Getty Research Institute
Five views of China include four photographs by unknown makers and one by Thomas Child. The photographs by unknown makers are of port cities and include two images from Canton (Guangzhou), and one each from Shanghai and Hong Kong. A view of a Shanghai city gate (albumen, ca. 1860s-1870s) shows advertising handbills posted on an adjacent wall with quarried stone stacked nearby. The salted paper prints of Guangzhou are a view of Magazine Hill (1850s) and a view of a pagoda (ca. 1860-1865). A photograph of hillside buildings in Hong Kong (salted paper print, 1850s) was taken from the base of the hill. The Child photograph (albumen print, 1877) depicts Nankow Pass (Juyong Guan) with the Great Wall of China visible in the background
Getty Research Institute
Uncaptioned snapshot photographs of girder frame construction of fair buildings, crowds at the opening of the exposition, prominent exposition structures such as the Grand Palais and the Château d'Eau, views along the Seine river and other thoroughfares and byways. Identifiable national pavilions include Algeria, Sweden, Hungary, and Indo-China. Numerous photos were taken in and around the Rue d'Alger
Getty Research Institute
The archive contains photographs, negatives, contact sheets, slides, transparencies and working materials created by Harry Shunk and Janos Kender from 1951 until the dissolution of their partnership in 1973. Photographs dated after 1973 are attributed solely to Harry Shunk. There are several photographs included in this collection that are attributed to various outside photographers who documented the same events as Shunk-Kender. At this time only the photographic prints are processed and available for research. The finding aid will be updated as other materials become accessible
Getty Research Institute
The collection documents the collective's artistic engagement with issues relating to maternity, domesticity, and women's issues through photographs, posters, ephemera, press kits, audio and videorecordings
Getty Research Institute
In these two portraits Phan Thanh Giản, First Ambassador to France, and Second Ambassador Pham Phú Thứ are attired in formal court robes and hold jade tablets, symbols of their role as representatives of the Vietnamese emperor Tự Đức
Getty Research Institute
Assembled by James Breslin as he researched and wrote Mark Rothko: a biography (Chicago: University of Chicago Press, 1993), the collection situates the Russian-born American painter and his work within broad artistic and historical contexts with particular emphasis on abstract expressionism and the New York art world from the 1920s through the 1960s. Also included in the collection are research materials regarding Dvinsk, Russia (now Daugavpils, Latvia) and Portland, Oregon, during Rothko's childhood. Among the individuals featured prominently in the collection are artists Robert Motherwell, Barnett Newman, Clyfford Still, Adolph Gottlieb, Milton Avery, and Max Weber, and critics Dore Ashton and Katharine Kuh
Getty Research Institute
The collection includes photographs of rural landscapes; religious and secular buildings, both colonial and indigenous; individual and group portraits; and scenes of daily life. They were taken in Cambodia, Thailand, and Vietnam
Getty Research Institute
The photographs document the architecture and social events at Taliesin East and Taliesin West; the Frank Lloyd Wright fellowship in the 1930s and 1940s; and Wright's Hollyhock house, including Studio Residence B, in Los Angeles
Getty Research Institute
The collection comprises 36 views mainly of the state of Ceará, in northeast Brazil. The photographs, most with English captions in pencil on verso, show Fortaleza and the coast as well as the sertão or backlands, documenting train stations, railroad tracks and bridges, small towns, churches, marketplaces, and landscapes. Several images depict the political turmoil surrounding the 1913-1914 Ceará revolt, including one view of the warship "Barroso", one of soldiers in training, and one of government defenders at Sussuarana station. Four photographs depict Salvador de Bahia, Victoria, Rio de Janeiro harbor, and one unidentified location
Getty Research Institute
The collection includes two original wood blocks, one by Yōshū Chikanobu and one with seven impressions in black and white and and envelope labeled: Mr. Roger Keyes Shōtei block and prints; nine index cards (one typed, eight handwritten) with notes; and approximately 400 small study photographs of paintings or woodcuts

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