Historical Society of Washington, D.C.
Biographical data including lists of Meyers's compositions and recordings; papers relating to his early life and family; World War II material including letters from Meyers to his wife, Emma C. Holt Meyers, written while serving in Europe with the entertainment branch of the U.S. Army; articles, course materials, lectures, programs, reviews, subject files, and other material relating to Meyers's professional career; and family and professional photographs. Topics include recitals, piano teaching methods, twentieth century and electronic music, and cultural life in Washington from the 1930s to the 1980s. Persons represented include Richard Bales, Katharine Hansel, Mary Howe, George Manos, and George Wargo
Yale University
The Quincy Porter Papers contain the manuscript scores and sketches of Porter's musical compositions, including 2 symphonies, 9 string quartets, and other major compositions and smaller pieces. The Papers also include music copied or arranged by Porter. The correspondence contains letters to and from Porter and other individuals, publishers, performing organizations, and schools and universities. Porter's life and work are further documented by: programs and newspaper clippings; published articles and books; photographs; medals; and scrapbooks
Historical Society of Washington, D.C.
Biographical data including lists of Meyers's compositions and recordings; papers relating to his early life and family; World War II material including letters from Meyers to his wife, Emma C. Holt Meyers, written while serving in Europe with the entertainment branch of the U.S. Army; articles, course materials, lectures, programs, reviews, subject files, and other material relating to Meyers's professional career; and family and professional photographs. Topics include recitals, piano teaching methods, twentieth century and electronic music, and cultural life in Washington from the 1930s to the 1980s. Persons represented include Richard Bales, Katharine Hansel, Mary Howe, George Manos, and George Wargo
Library of Congress - Research and Reference Services
Serge Koussevitzky was a Russian-born conductor, composer, and double bassist. The archive includes correspondence, personal and business papers, photographs, writings, clippings, scrapbooks, programs, and other materials which serve as a record of Koussevitzky's life and career, and document some of the most significant aspects of twentieth-century music. Through his work as a conductor and publisher, and his efforts to commission new musical works, Koussevitzky maintained deep ties with many of the finest composers and musicians of the day. These figures are represented in their personal and professional affiliations with the conductor. The collection extensively chronicles periods in the history of organizations such as the Boston Symphony Orchestra and the Berkshire Music Center, the Koussevitzky Music Foundation, and the American International Music Fund. Material in the collection dates from Koussevitzky's years in his native Russia and also contains material created after ... Read More
University of Virginia
The papers contain correspondence, programs, rosters, legal documents, clippings and miscellany pertaining to the John Powell Foundation and its goal to encourage and promote performances of Powell's muscial compositions
Yale University
The Quincy Porter Papers contain the manuscript scores and sketches of Porter's musical compositions, including 2 symphonies, 9 string quartets, and other major compositions and smaller pieces. The Papers also include music copied or arranged by Porter. The correspondence contains letters to and from Porter and other individuals, publishers, performing organizations, and schools and universities. Porter's life and work are further documented by: programs and newspaper clippings; published articles and books; photographs; medals; and scrapbooks
University of Minnesota - Twin Cities
University of Minnesota - Twin Cities
Free Library of Philadelphia
No. 3, Bunker Hill originally published in A Select Number of Plain Tunes Adapted to Congregational Worship, by Andrew Law, ca. 1775. This transcription 1946. First performance Washington, D.C., 6 October 1946, National Gallery Orchestra, Richard Bales conductor. No. 1, David's Lamentation, originally published in the first edition of William Billing's The Singing Master's Assistant, Boston, 1778.--Cf. Fleisher Collection

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