Yale University - Beinecke Rare Book and Manuscript Library
This collection consists of correspondence, manuscripts, galley proofs, and artwork that documents a varied sample of projects undertaken by Jonathan Williams and The Jargon Society, 1949-1990. Correspondence documents associations Williams had with collaborators for projects for The Jargon Society and with other publishers. Correspondents include Dana Winslow Atchley, Thomas A. Clark, Ian Gardner, Michael Loeb, Tom Phillips, U. Grant Roman, David Ruff, Henry Holmes Smith, Jon Edgar Webb, and Henry Weaning.Manuscripts and galley proofs document projects related to Williams. This includes a description of the ceramic art of Arnold Ward written by Williams in 1949, and the graphic design work of Dana Winslow Atchley for Jonathan Williams and Nicholas Dean, Blues & Roots, Rue & Bluets (1971) and a manuscript by Michael McClure for Passage (1957) published by The Jargon Society.Artwork documents illustration material created, used, or considered by Williams in his personal projects or ... Read More
Getty Research Institute
Coracle Press records, 1953-2013, document the artists' press and its exhibition space primarily during the years in England, 1975-1997. It also contains a small amount of material from Cutts's prior publishing enterprise, Tarasque Press, Nottingham, as well as material from the present incarnation of Coracle in Ireland
Stanford University
A short essay, printed in blue ink on heavy paper, and signed on the back. No printer information is available
Getty Research Institute
An ensemble of original works and printed matter documenting Brown's intent to build a useable study collection of avant-garde materials, dating from 1916-1995 (bulk 1960-1985). In-depth holdings by artists participating in Fluxus, happenings, concrete, sound and visual poetry, mail art, copy art, rubber stamp printing, new music, and video and performance art underscore her range of interests. The collection's broad scope presents a comprehensive account of alternative movements, distribution networks and exhibition venues of the 1960s and 1970s
Yale University
This collection consists of correspondence, manuscripts, galley proofs, and artwork that documents a varied sample of projects undertaken by Jonathan Williams and The Jargon Society, 1949-1990. Correspondence documents associations Williams had with collaborators for projects for The Jargon Society and with other publishers. Correspondents include Dana Winslow Atchley, Thomas A. Clark, Ian Gardner, Michael Loeb, Tom Phillips, U. Grant Roman, David Ruff, Henry Holmes Smith, Jon Edgar Webb, and Henry Weaning
Yale University
Polaroid photographs created by Jonathan Williams, circa 1976-1993, which he compiled and mounted on a mat board in 1993. The images are portraits of acquaintances and family members, along with copy photographs of celebrities during their appearances on a television screen. Many of the images depict places in England and elsewhere. Some photographs show artwork and the graves of artists. The collection includes a pamphlet, Polaroids (Liable to be Anywhere), with an introduction and captions for the images written by Williams, as well as a short essay by Simon Cutts
The Sage Colleges Libraries
Unpublished correspondence, some with original poetry, from various poets and others to Finlay, covering the years 1962-1969. The letters are a composite collection dealing chiefly with contemporary and avant-garde poetry, art movements, and with the addressee in his capacity as publisher of Wild Hawthorn Press

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