The Sage Colleges Libraries
Correspondence, poems, jottings, worksheets, representing more than 100 leading avant-garde poets, collected for the publication of An Anthology of Concrete Poetry (1967) compiled by Emmett Williams. Includes original drafts of poems submitted to Williams for publication with layout instructions and notes on the genesis and meaning of poems. Poets represented include Alain Arias-Mission, Carlo Belloli, Claus Bremer, Ian Hamilton Finlay, and Eugen Gomringer
Emory University - Manuscript, Archives, and Rare Book Collection
The collection consists of the records of Covent Garden Press from 1968 to 1977, the bulk of which are documents related to works that the press either published or seriously considered for publication. These documents include typescripts, proofs, correspondence about the work and its publication, and notes detailing design and layout. Works include Kingsley Amis's Dear Illusion, William S. Burrough's Port of Saints, Susan Hill's The Custodian, Hugh MacDiarmid's Song of the Seraphim, and Harold Pinter's Monologue. A small amount of correspondence primarily documents the business conducted between the press and its authors, although some early letters focus on the bookselling business, rather than publishing, and some later letters comment on the bankruptcy. Also included in the collection are press clippings and reviews about books published by the press, copies of the press' catalogue, and a small number of financial records including receipts on advances paid to authors, ... Read More
University of California, San Diego
Business correspondence to Christopher Carrell, proprietor of the Sunderland Bookshop, County Durham, England, from various clients, -- including Bob Cobbing, Lee Harwood, Dom Sylvester Houédard, Edward Lucie-Smith, Barry MacSweeney, and Jonathan Williams
Getty Research Institute
An ensemble of original works and printed matter documenting Brown's intent to build a useable study collection of avant-garde materials, dating from 1916-1995 (bulk 1960-1985). In-depth holdings by artists participating in Fluxus, happenings, concrete, sound and visual poetry, mail art, copy art, rubber stamp printing, new music, and video and performance art underscore her range of interests. The collection's broad scope presents a comprehensive account of alternative movements, distribution networks and exhibition venues of the 1960s and 1970s
Getty Research Institute
Collection consists of poetry in a variety of media sent to and collected by Jasia Reichardt. Includes manuscripts and typescripts, screenprints and posters, collages and original graphics, sound recordings, photoprints and objects (some ready-made). Artists include Ronaldo Azedredo, Stephen Bann, Derek Boshier, Eugenio Carmi, Henri Chopin, Bob Cobbing, Kenelm Cox, Robert Filliou, Ian Hamilton Finlay, John Furnival, Ludwig Gosewitz, Brian Hindmarch, Michael Horovitz, D.S. Houedard, Ferdinand Kriwet, John Latham, Christopher Logue, Edward Lucie-Smith, Hansjörg Mayer, Franz Mon, Seiichi Niikuni (and the Tokyo Assn. for the Study of Arts [ASA]), Tom Phillips, John Sharkey, Gianni-Emilio Simonetti, Mary Ellen Solt, Edgardo Antonio Vigo, and Wolf Vostell. Some works are included in letters received by Jasia Reichardt
Getty Research Institute
Vertical files containing original and printed work, gallery catalogues and announcements relating to concrete and visual poetry and "la nuova scrittura." Represented in the collection are works by and information on Vincenzo Accame, the Archivio Denza, Bob Ashley, Ugo Carrega, Luciano Caruso, the Central Tool gallery (Milan), the Centro studi d'arte contemporanea (Rome), Giuseppe Chiari, Bob Cobbing, Herman de Vries, the Instituto Aleman de Madrid, Emilio Isgro, Luisito, Luciano Ori, Michele Perfetti, Sarenco and Ernesto Villa

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