Smithsonian Institution - Archives of American Art
The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12.1 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry
Smithsonian Institution - Archives of American Art
Primarily records of the San Francisco Art Association (1871-1920), but also of the California School of Design (1873-1905) (briefly called the Mark Hopkins Institute of Art in 1893), the Palace of Fine Arts (1915-1945), The Western Round Table on Modern Art (1949), the San Francisco Art Institute (1911-1978), the San Francisco Museum of Art (1921-1970), and the Douglas MacAgy papers (1944-1950)
Smithsonian Institution - Archives of American Art
The Henry Varnum Poor papers measure 11.1 linear feet and are dated 1873-2001, with the bulk from the period 1904-1970 -- Correspondence, writings, artwork, printed material, and photographs document his work as a painter, muralist, ceramic artist and potter, architect, designer, writer, war artist, educator and a co-founder of the Skowhegan School of Painting and Sculpture. Also found is extensive information about the design and construction of Crow House, his home in New City, N.Y., commissions for other architectural projects, and his personal life
Smithsonian Institution - Archives of American Art
Correspondence, notes, manuscripts, printed material, subject files, and photographs, relate chiefly to Blesh's research and writings on Abstract Expressionists
Smithsonian Institution - Archives of American Art
Photographs, correspondence, appointment books, etchings, a scrapbook, printed materials, writings, and posters
Smithsonian Institution - Archives of American Art
The papers of French Dada painter Jean Crotti measure 1.7 linear feet and date from 1913 to 1973, with the bulk of the materials dating from 1913-1961. Among the papers are autobiographical essays, correspondence with friends and family, including many letters from Marcel Duchamp, notes and writings by and about Crotti, printed materials, one scrapbook, drawings by Crotti and others, photographs of Crotti and his family and friends, photographs of artwork, and three audio recordings of interviews with Crotti
Smithsonian Institution - Archives of American Art
Correspondence, 1920-1984; biographical material, business records, 1951-1959, includes receipts for watercolors exhibited at New York museums and galleries, and a project proposal for a series of lectures on cave art; writings, ca. 1917-1971, includes poems by Levitt, two proposals for a Greenwich Village Cultural Center, an article for a new art magazine, and an article about Levitt by George Dorgan; scrapbooks [unbound], undated and 1943-1975; printed material, including brochures concerning Levitt's political activities; photographs including portraits of Levitt and views of his studio, 1926, some of his paintings, 1937-1960; and the School of Modern Painting of the Provence, 1960; in which Levitt was active
Smithsonian Institution - Archives of American Art
Correspondence, manuscript writings, notes, reviews, articles, clippings, letters, photographs, catalogs, and postcard
Smithsonian Institution - Archives of American Art
The papers of artist, performer, and arts educator Lillian Kiesler and sculptor, architect, set designer, educator, and writer Frederick Kiesler measure 48.2 linear feet and date from circa 1910s-2003, with the bulk of the material from 1958-2000. The collection documents their personal and professional lives and the legacy of Frederick Kiesler's work through biographical material, correspondence, legal, financial and business records, teaching files, exhibition and performance files, artwork, subject files, printed material, writings and interviews, monographs, photographic material, and sound recordings and motion picture film. Also found are papers related to Abstract Expressionist painter Hans Hofmann and the papers of artist Alice Hodges
Getty Research Institute
The video component of Kubota's sculpture of the same title (1975) is a color-synthesized black-and-white video of Duchamp's grave, with audio of wind in the cemetary in Rouen, France

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