Getty Research Institute
The Jean Brown collection of art objects, 1958-1986 (ca. 493 items forming Series VI of the Jean Brown Papers) comprise an important collection of works by artists involved in the Fluxus movement or in other explorations of the conceptual arts, such as mail art, concrete poetry, happenings, etc. The works reflect these movements as they spanned the decades of the 1960s, 1970s, and early 1980s, with a high concentration of material emerging around the climactic year 1969 -- Items are constructions, assemblages, or other expressions, often small-scale and ephemeral, some existing simply as reflections or remnants of artistic or intellectual events. Many are one-of-a-kind pieces created especially for Brown, betraying the collector's intimate connection to the works and their creators. The pieces are arranged alphabetically by artist, with a large portion of unidentified works listed at the end. Additionally many of the objects also have their own individual analytic records within the ... Read More
New York Public Library
Records of 13th Moon document the history of this feminist literary magazine from its founding in 1973 until the resignation of its founder and editor, Ellen Marie Bissert, in 1982 -- Records consist of Bissert's correspondence with readers, contributors, editors of other literary publications, and others involved in the feminist publishing network; business records documenting the funding, printing, and distribution of the magazine; and project files that chronicle the poetry readings sponsored by 13th Moon and a research project on early American women poets. The records also include promotional flyers and posters, mechanicals and printed copies of the first five volumes of the magazine, and various literary publications. In addition, there is a tape recorded interview with the poet, Amelia Etlinger, and audio tapes of two radio documentaries that include interviews with Ellen Bissert
Getty Research Institute
An ensemble of original works and printed matter documenting Brown's intent to build a useable study collection of avant-garde materials, dating from 1916-1995 (bulk 1960-1985). In-depth holdings by artists participating in Fluxus, happenings, concrete, sound and visual poetry, mail art, copy art, rubber stamp printing, new music, and video and performance art underscore her range of interests. The collection's broad scope presents a comprehensive account of alternative movements, distribution networks and exhibition venues of the 1960s and 1970s
School of The Art Institute of Chicago - John M. Flaxman Library


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