Smithsonian Institution - Archives of American Art
Biographical material; correspondence, works of art, photographs of Battcock and works of art, financial records, artists files, printed material, date books, 1973-1977 and 1980; photographs; manuscripts of published and unpublished writings
Smithsonian Institution - Archives of American Art
Biographical material; correspondence, works of art, photographs of Battcock and works of art, financial records, artists files, printed material, date books, 1973-1977 and 1980; photographs; manuscripts of published and unpublished writings
Getty Research Institute
Papers collected or generated by Higgins, documenting his involvement with Fluxus and Happenings art movements, pattern and concrete poetry; new music, and small press publishing from 1972 to 1994, with some letters dated as early as 1960 -- Correspondence primarily consists of carbons of Higgins' letters, with many responses and, in some cases, extensive exchanges with Fluxus, Mail Art and Art and Language artists, Concrete and Sound poets, New Music composers, and Small Press publishers and poets; also includes art pieces and manuscripts by these correspondents. Also, a substantial quantity of Higgins' published works in original manuscript form, some with annotations and correspondence; works rejected by Higgins; production material on 26 of Higgins' 45 published books from Something Else Press, Printed Editions and elsewhere; books by four other authors; and one killed project. The collection also has a small quantity of miscellaneous personal papers and extensive research and ... Read More
Getty Research Institute
An ensemble of original works and printed matter documenting Brown's intent to build a useable study collection of avant-garde materials, dating from 1916-1995 (bulk 1960-1985). In-depth holdings by artists participating in Fluxus, happenings, concrete, sound and visual poetry, mail art, copy art, rubber stamp printing, new music, and video and performance art underscore her range of interests. The collection's broad scope presents a comprehensive account of alternative movements, distribution networks and exhibition venues of the 1960s and 1970s
Whitney Museum of American Art
University of Texas Libraries
From a series of interviews by Regina Vater and Bill Lundberg with different New York artists on issues of contemporary art in America
University of Colorado, Boulder
Peter Frank, a mixed media artist and contributor to the LA Weekly, defines intermedia art as practices that combine traditional artistic disciplines seamlessly to form new genres such as visual poetry, performance art, and artists' books. As technology develops, artists begin to work with the new media in different ways. Computers serve as replacement for the darkroom in photography, a monitor can serve as a canvas and live stage and be used as an editing tool. Poetry, writing, and all arts are evolving and technology will augment rather than replace traditional forms

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