University of Maryland, Baltimore County - Albin O. Kuhn Library and Gallery
The Dick Higgins Collection spans the years 1958 to 2002 and is 17.5 linear feet. Materials include artwork, publications, and exhibition items. Over one hundred items have been cataloged and are searchable in the USMAI catalog; like the rest of the collection materials, these publications can be viewed in the Special Collections Reading Room only. There are three major divisions within the Dick Higgins Collection and they correspond to the official series: a sampling of Dick Higgins' artwork, publications, and exhibition materials; publications from Something Else Press; and individual and collaborative artwork and publications from members of the greater Fluxus movement. With the exception of the ReFlux Editions items housed in Series III. B, all items were donated from Higgins' studio by Alison Knowles. Selections from ReFlux Editions' "Flux Kit" collection were purchased by the library in 2002. This collection provides an overview of Fluxus artwork and includes rare examples from ... Read More
The archive documents Schneemann's performances, happenings, film and book production, and exhibitions from 1959-1994. It includes original materials relating to performances and publication projects in the form of notes, drawings, performance scripts and mss.; correspondence with visual, literary and performing artists, art critics, and other individuals prominent in the international avant-garde; printed ephemera, artists' books, and Fluxus objects by Schneemann and others; lecture notes and other materials pertaining to Schneemann as teacher and lecturer; research files on performance and feminist topics; mss. by others about Schneemann's work; and photograph albums which provide visual documentation of much of her performance work
The Jean Brown collection of art objects, 1958-1986 (ca. 493 items forming Series VI of the Jean Brown Papers) comprise an important collection of works by artists involved in the Fluxus movement or in other explorations of the conceptual arts, such as mail art, concrete poetry, happenings, etc. The works reflect these movements as they spanned the decades of the 1960s, 1970s, and early 1980s, with a high concentration of material emerging around the climactic year 1969 -- Items are constructions, assemblages, or other expressions, often small-scale and ephemeral, some existing simply as reflections or remnants of artistic or intellectual events. Many are one-of-a-kind pieces created especially for Brown, betraying the collector's intimate connection to the works and their creators. The pieces are arranged alphabetically by artist, with a large portion of unidentified works listed at the end. Additionally many of the objects also have their own individual analytic records within the ... Read More
These papers comprise a portion of the Gilbert and Lila Silverman Fluxus Collection (the rest of the collection is housed with the Department of Prints and Illustrated Books and the Museum's Library). The Silverman Collection was built and organized by scholar Jon Hendricks starting c. 1977, working with collectors Gilbert and Lila Silverman. It grew into one of the world's largest collection of artwork, documentation, and published materials related to Fluxus, an international network of artists based primarily in New York in the 1960s and '70s, and particularly its founder, George Maciunas (1931-1978). These papers contain documentation, artifacts, and artworks gathered by Hendricks for the Collection, as well as the administrative records produced in the process. The collected records include correspondence between artists, ephemera, documentation of Fluxus plans and events, as well as much material from the studio/estate of George Maciunas. The created records include ... Read More
Kent State University - Special Collections and Archives
The d. a. levy and family archive consists of personal papers, correspondence, publications, and ephemera from the personal collection of d. a. levy and members of his family. Also included are manuscripts of many of levy's poems and a significant body of his original artwork
Correspondence, manuscripts, conceptual and mail art work, and ephemera documenting Ken Friedman's affiliation with Fluxus art movement spearheaded by George Maciunas. The collection includes examples of Friedman's Fluxus offset press, art work of other Fluxus artists, publications by Aktual, and examples of work by the Cleveland poet d.a. levy. Significant correspondents include George Brecht, John Cage, Dick Higgins, Ray Johnson, Milan Knizak, d.a. levy, George Maciunas, Jerry Rubin, and Paul Sharits. The collection is arranged in five series: 1) CORRESPONDENCE, 2) WRITINGS, 3) COLLABORATIONS, 4) FLUXUS, and 5) D.A. LEVY.