Getty Research Institute
The Jean Brown collection of art objects, 1958-1986 (ca. 493 items forming Series VI of the Jean Brown Papers) comprise an important collection of works by artists involved in the Fluxus movement or in other explorations of the conceptual arts, such as mail art, concrete poetry, happenings, etc. The works reflect these movements as they spanned the decades of the 1960s, 1970s, and early 1980s, with a high concentration of material emerging around the climactic year 1969 -- Items are constructions, assemblages, or other expressions, often small-scale and ephemeral, some existing simply as reflections or remnants of artistic or intellectual events. Many are one-of-a-kind pieces created especially for Brown, betraying the collector's intimate connection to the works and their creators. The pieces are arranged alphabetically by artist, with a large portion of unidentified works listed at the end. Additionally many of the objects also have their own individual analytic records within the ... Read More
Getty Research Institute
An ensemble of original works and printed matter documenting Brown's intent to build a useable study collection of avant-garde materials, dating from 1916-1995 (bulk 1960-1985). In-depth holdings by artists participating in Fluxus, happenings, concrete, sound and visual poetry, mail art, copy art, rubber stamp printing, new music, and video and performance art underscore her range of interests. The collection's broad scope presents a comprehensive account of alternative movements, distribution networks and exhibition venues of the 1960s and 1970s
Getty Research Institute
Five collections of mail art gathered by Bern Porter from his own collection (sometimes sent c/o his Institute for Advanced Thinking) and those of fellow mail artists John Pyros (c/o the Epistolary Stud Farm), Carlo Pittore (né Charles Stanley), Robert Saunders and Jay Yager. Highlights are the original contributions submitted to Pryos, Saunders and Yager for inclusion in mail art exhibitions they curated. Also noteworthy are letters sent to Pittore, Pyros and Saunders, which often mention the mail art network and the work and personal life of the corresponding artist
Detroit Institute of Arts - Research Library & Archives
Museum of Modern Art
Smithsonian Institution - Archives of American Art
The papers of Cincinnati art historian, museum director, and Audubon and Peale scholar, Edward H. Dwight (1919-1981), measure 18.6 linear feet and date from 1821-2001, with the bulk of the material dating from 1950-1979. Dwight's papers include biographical material, writings by Dwight, and research files on John James Audubon, Raphaelle Peale, and others, documenting Dwight's extensive contribution to the study of American painting, particularly naturalist, portrait, and still life painting
Getty Research Institute
Collection documents mail art exhibits and includes catalogues, posters, announcements, invitations, participant lists, as well as Held's research notes
School of The Art Institute of Chicago - John M. Flaxman Library

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