Museum of Modern Art
New York Public Library
Collection consists of objects, text scores, correspondence art, gallery announcements, concert programs, posters and other items produced by and/or relating to the Fluxus group of artists, ca. 1958-1987 -- Highlights include: multiple edition Fluxus objects, e.g. George Brecht's Water yam, 1963, Robert Watts' Events, 1964, Joseph Beuys' Zwei Fra╠łulein mit leuchtendem Brot, 1966, and Yoko Ono's A box of smile, signed in 1984; complete set of the Fluxus in-house newspaper, V TRE, 1963-1978; posters from Charlotte Moorman's Annual New York Avant-Garde Festivals, 1964-1980; signed performance poems and "text-sound texts" by Jackson Mac Low; performance programs from La Monte Young and Yoko Ono's Chamber Street Loft Series, ca. 1961-1962. Many items are inscribed to the collector, Ellsworth Snyder
Frick Collection and Frick Art Reference Library
File of color and black and white photographs of work of art, assembled by the staff of the Museum of Modern Art in New York from the museum's establishment until 1990. Items may include full views, details, installations, etc
Getty Research Institute
Papers collected or generated by Higgins, documenting his involvement with Fluxus and Happenings art movements, pattern and concrete poetry; new music, and small press publishing from 1972 to 1994, with some letters dated as early as 1960 -- Correspondence primarily consists of carbons of Higgins' letters, with many responses and, in some cases, extensive exchanges with Fluxus, Mail Art and Art and Language artists, Concrete and Sound poets, New Music composers, and Small Press publishers and poets; also includes art pieces and manuscripts by these correspondents. Also, a substantial quantity of Higgins' published works in original manuscript form, some with annotations and correspondence; works rejected by Higgins; production material on 26 of Higgins' 45 published books from Something Else Press, Printed Editions and elsewhere; books by four other authors; and one killed project. The collection also has a small quantity of miscellaneous personal papers and extensive research and ... Read More
Getty Research Institute
An ensemble of original works and printed matter documenting Brown's intent to build a useable study collection of avant-garde materials, dating from 1916-1995 (bulk 1960-1985). In-depth holdings by artists participating in Fluxus, happenings, concrete, sound and visual poetry, mail art, copy art, rubber stamp printing, new music, and video and performance art underscore her range of interests. The collection's broad scope presents a comprehensive account of alternative movements, distribution networks and exhibition venues of the 1960s and 1970s
The Barnes Foundation - Archives, Libraries, and Special Collections
University of Maryland, Baltimore County - Albin O. Kuhn Library and Gallery
The Dick Higgins Collection spans the years 1958 to 2002 and is 17.5 linear feet. Materials include artwork, publications, and exhibition items. Over one hundred items have been cataloged and are searchable in the USMAI catalog; like the rest of the collection materials, these publications can be viewed in the Special Collections Reading Room only. There are three major divisions within the Dick Higgins Collection and they correspond to the official series: a sampling of Dick Higgins' artwork, publications, and exhibition materials; publications from Something Else Press; and individual and collaborative artwork and publications from members of the greater Fluxus movement. With the exception of the ReFlux Editions items housed in Series III. B, all items were donated from Higgins' studio by Alison Knowles. Selections from ReFlux Editions' "Flux Kit" collection were purchased by the library in 2002. This collection provides an overview of Fluxus artwork and includes rare examples from ... Read More
Getty Research Institute
The archive documents Schneemann's performances, happenings, film and book production, and exhibitions from 1959-1994. It includes original materials relating to performances and publication projects in the form of notes, drawings, performance scripts and mss.; correspondence with visual, literary and performing artists, art critics, and other individuals prominent in the international avant-garde; printed ephemera, artists' books, and Fluxus objects by Schneemann and others; lecture notes and other materials pertaining to Schneemann as teacher and lecturer; research files on performance and feminist topics; mss. by others about Schneemann's work; and photograph albums which provide visual documentation of much of her performance work
Getty Research Institute
The Jean Brown collection of art objects, 1958-1986 (ca. 493 items forming Series VI of the Jean Brown Papers) comprise an important collection of works by artists involved in the Fluxus movement or in other explorations of the conceptual arts, such as mail art, concrete poetry, happenings, etc. The works reflect these movements as they spanned the decades of the 1960s, 1970s, and early 1980s, with a high concentration of material emerging around the climactic year 1969 -- Items are constructions, assemblages, or other expressions, often small-scale and ephemeral, some existing simply as reflections or remnants of artistic or intellectual events. Many are one-of-a-kind pieces created especially for Brown, betraying the collector's intimate connection to the works and their creators. The pieces are arranged alphabetically by artist, with a large portion of unidentified works listed at the end. Additionally many of the objects also have their own individual analytic records within the ... Read More

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