Getty Research Institute
The David Antin papers include diaries, extensive correspondence, published and unpublished manuscripts, working notes, and over 300 audiotapes and videos of lectures and performances. Privileging spontaneity and informality, Antin's work had strong influence on performance-based artists in the 1960s and 1970s. In particular, the archive documents Antin's "talk pieces" which were his unique means of fusing spoken poetry with academic lectures
University of California, San Diego
Mostly correspondence and drafts of writings (articles, short stories, poems, books, and program text) by Yates. The collection also includes programs and pamphlets documenting Yates's public lectures, broadcasts, and concert productions; miscellaneous notes by Yates on a variety of subjects; copy books of Mrs. Frances Mullen Yates; typescripts of poems by Peyton Houston; and copies of musical scores of composers Ingolf Dahl, Lou Harrison, Charles Ives, and J.S. Bach. Significant correspondents include composers John Cage, Lou Harrison, Charles Ives, Ernst Krenek, Harry Partch, Roger Reynolds, Arnold Schoenberg, Virgil Thomson, pianist John Kirkpatrick, and poets Ronald Johnson, Marianne Moore, Lorine Niedecker, Kenneth Patchen, Kenneth Rexroth, Carl Sandburg, and Karl Shapiro
The Sage Colleges Libraries
Correspondence, poems, jottings, worksheets, representing more than 100 leading avant-garde poets, collected for the publication of An Anthology of Concrete Poetry (1967) compiled by Emmett Williams. Includes original drafts of poems submitted to Williams for publication with layout instructions and notes on the genesis and meaning of poems. Poets represented include Alain Arias-Mission, Carlo Belloli, Claus Bremer, Ian Hamilton Finlay, and Eugen Gomringer
Library of Congress - Research and Reference Services
Poet, editor, and educator. Correspondence, notebooks, book drafts, poem drafts, teaching materials, and family papers relating to Kessler's work as a poet, a co-editor with John Logan of Choice: A Magazine of Poetry and Graphics, and a professor at the State University of New York at Binghamton, N.Y.
Library of Congress - Research and Reference Services
Correspondence, notebooks, writings of Kessler and others, teaching materials, family papers, photographs, and other papers relating to Kessler's work as a poet, co-editor with John Logan of Choice: A Magazine of Poetry and Graphics, and professor at the State University of New York at Binghamton, N.Y., and other institutions in Hawaii and Israel, especially the Universiṭat Ḥefah and Universiṭat ha-Negev. Documents his relationships with fellow authors, academic colleagues, artists, editors, publishers, and students; and to his family and personal life. Also documents his experience at retreats such as the artists' colony, Yaddo, in Saratoga Springs, N.Y. Subjects include fatherhood and Kessler's efforts to convey a sense of Jewish identity and religious tradition to his children, marriage, his marriage to Sonia Berer Kessler, mortality, suffering, and the Jewish roots in his poetry. Includes drafts of Kessler's books, A Road Came Once (1963), Called Home: a Sequence of Poems : ... Read More
University of California, San Diego
Literary papers of an experimental United States writer, documenting his career from the late 1930s to 2004. The collection includes manuscript drafts of Mac Low's verse, plays, and criticism; documentation of conferences Mac Low attended and residencies he held; programs and posters for readings by Mac Low and other writers; biographical items such as bibliographies, resumes, and family photographs; transcripts of interviews of Mac Low; and Mac Low's notebooks for the years 1948-1990, which contain early drafts of a great number of his poems, as well as diaristic reflections about the business of writing and performing. A substantial portion of the collection is comprised of correspondence and manuscripts sent to Mac Low from a diverse group of poets, novelists, performance artists, editors, publishers, and scholars
New York University Libraries
The brief Biographical series includes clippings, memorabilia, and other personal materials. The Correspondence series includes: Paul Avrich, Giovanni Baldelli, George Benello, Clif Bennett, Murray Bookchin, Holley Cantine, Dave Dellinger, Eliot Deutsch, Daniel DeWees, Audrey Goodfriend, David Koven, Laurance Labadie, Ian and Meda Lind, Jackson Mac Low, Lowell Naeve, Ruth Perry, Dachine Rainer, Taylor Stoehr, Ralph Stone, Vera and Paul Williams. There are also some prison letters (see Related Materials, below). The Diaries and Journals cover the years 1932-1993. Series IV, Writings, contains manuscripts, typescripts and notes, principally for unpublished works by Wieck and others. There are numerous philosophical writings, and an unpublished typescript by Wieck: The United Mineworkers of America: A Study in Centralization
Stanford University
Manuscripts, correspondence, works by others, reviews, printed material. Accession 2013-046, a map folder, contains certificates and an annotated topo map of southern Maine
Getty Research Institute
Papers collected or generated by Higgins, documenting his involvement with Fluxus and Happenings art movements, pattern and concrete poetry; new music, and small press publishing from 1972 to 1994, with some letters dated as early as 1960 -- Correspondence primarily consists of carbons of Higgins' letters, with many responses and, in some cases, extensive exchanges with Fluxus, Mail Art and Art and Language artists, Concrete and Sound poets, New Music composers, and Small Press publishers and poets; also includes art pieces and manuscripts by these correspondents. Also, a substantial quantity of Higgins' published works in original manuscript form, some with annotations and correspondence; works rejected by Higgins; production material on 26 of Higgins' 45 published books from Something Else Press, Printed Editions and elsewhere; books by four other authors; and one killed project. The collection also has a small quantity of miscellaneous personal papers and extensive research and ... Read More
Getty Research Institute
An ensemble of original works and printed matter documenting Brown's intent to build a useable study collection of avant-garde materials, dating from 1916-1995 (bulk 1960-1985). In-depth holdings by artists participating in Fluxus, happenings, concrete, sound and visual poetry, mail art, copy art, rubber stamp printing, new music, and video and performance art underscore her range of interests. The collection's broad scope presents a comprehensive account of alternative movements, distribution networks and exhibition venues of the 1960s and 1970s


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