The Sage Colleges Libraries
Correspondence, poems, jottings, worksheets, representing more than 100 leading avant-garde poets, collected for the publication of An Anthology of Concrete Poetry (1967) compiled by Emmett Williams. Includes original drafts of poems submitted to Williams for publication with layout instructions and notes on the genesis and meaning of poems. Poets represented include Alain Arias-Mission, Carlo Belloli, Claus Bremer, Ian Hamilton Finlay, and Eugen Gomringer
Getty Research Institute
Papers collected or generated by Higgins, documenting his involvement with Fluxus and Happenings art movements, pattern and concrete poetry; new music, and small press publishing from 1972 to 1994, with some letters dated as early as 1960 -- Correspondence primarily consists of carbons of Higgins' letters, with many responses and, in some cases, extensive exchanges with Fluxus, Mail Art and Art and Language artists, Concrete and Sound poets, New Music composers, and Small Press publishers and poets; also includes art pieces and manuscripts by these correspondents. Also, a substantial quantity of Higgins' published works in original manuscript form, some with annotations and correspondence; works rejected by Higgins; production material on 26 of Higgins' 45 published books from Something Else Press, Printed Editions and elsewhere; books by four other authors; and one killed project. The collection also has a small quantity of miscellaneous personal papers and extensive research and ... Read More
Getty Research Institute
An ensemble of original works and printed matter documenting Brown's intent to build a useable study collection of avant-garde materials, dating from 1916-1995 (bulk 1960-1985). In-depth holdings by artists participating in Fluxus, happenings, concrete, sound and visual poetry, mail art, copy art, rubber stamp printing, new music, and video and performance art underscore her range of interests. The collection's broad scope presents a comprehensive account of alternative movements, distribution networks and exhibition venues of the 1960s and 1970s
University of Maryland, Baltimore County - Albin O. Kuhn Library and Gallery
The Dick Higgins Collection spans the years 1958 to 2002 and is 17.5 linear feet. Materials include artwork, publications, and exhibition items. Over one hundred items have been cataloged and are searchable in the USMAI catalog; like the rest of the collection materials, these publications can be viewed in the Special Collections Reading Room only. There are three major divisions within the Dick Higgins Collection and they correspond to the official series: a sampling of Dick Higgins' artwork, publications, and exhibition materials; publications from Something Else Press; and individual and collaborative artwork and publications from members of the greater Fluxus movement. With the exception of the ReFlux Editions items housed in Series III. B, all items were donated from Higgins' studio by Alison Knowles. Selections from ReFlux Editions' "Flux Kit" collection were purchased by the library in 2002. This collection provides an overview of Fluxus artwork and includes rare examples from ... Read More
Getty Research Institute
The archive contains documentation of work produced by Stoerchle during his short career, as well as a small amount of personal material. A key component of the archive is a set of half-inch open-reel tapes documenting Stoerchle's experiments with video. In addition to his well-known works, the videos also include documentation of some of Stoerchle's lesser-known works, such as a live performance with Viva, some of his more provocative performances, and a television "dinner" performance produced with Allan Kaprow, Emmett Williams, and Helene Winer. Also included are audiotapes of Stoerchle's sound works and a slide and sound installation. The archive contains a small number of works by other artists, including early reels by Nam June Paik and William Wegman, and sound works by Daniel Lentz produced in honor of Stoerchle
The Sage Colleges Libraries
Correspondence, poems, jottings, worksheets, representing more than 100 leading avant-garde poets, collected for the publication of An Anthology of Concrete Poetry (1967) compiled by Emmett Williams. Includes original drafts of poems submitted to Williams for publication with layout instructions and notes on the genesis and meaning of poems. Poets represented include Alain Arias-Mission, Carlo Belloli, Claus Bremer, Ian Hamilton Finlay, and Eugen Gomringer
The Sage Colleges Libraries
Unpublished correspondence, some with original poetry, from various poets and others to Finlay, covering the years 1962-1969. The letters are a composite collection dealing chiefly with contemporary and avant-garde poetry, art movements, and with the addressee in his capacity as publisher of Wild Hawthorn Press
Getty Research Institute
School of The Art Institute of Chicago - John M. Flaxman Library
The Sage Colleges Libraries
Correspondence, poems, jottings, worksheets, representing more than 100 leading avant-garde poets, collected for the publication of An Anthology of Concrete Poetry (1967) compiled by Emmett Williams. Includes original drafts of poems submitted to Williams for publication with layout instructions and notes on the genesis and meaning of poems. Poets represented include Alain Arias-Mission, Carlo Belloli, Claus Bremer, Ian Hamilton Finlay, and Eugen Gomringer

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