University at Buffalo, State University of New York
Ariadne abandoned -- The triumph of Ariadne & Dionysos
University at Buffalo, State University of New York
University at Buffalo, State University of New York
University at Buffalo, State University of New York
University at Buffalo, State University of New York
University at Buffalo, State University of New York
Score/part for percussionist/conductor ([6] leaves), for Mv. I, II, III -- Score/part for electric guitar ([6] leaves), for Mv. I, II, III (with extra leaf 1B) -- Score/part for "the other 3 instruments" ([4] leaves), Mv. I, II -- Score/part for "the other 3 instruments", "middle instrument", ([4] leaves), Mv. I, II -- Score/part for "the other 3 instruments", ([2] leaves), incomplete -- Material for the percussionist/conductor : Role 1, 2, 3 ([1] leaf) -- [Material for] percussion and guitar : Recital ([1] leaf) -- Material for the guitarist : Role 1, 2, 3 ([1] leaf) -- Material for the other three instruments : Role 1 + 2 ([2] leaves) -- Score/part to IV : Lecture ([3] leaves) -- Performance scheme : I ([1] leaf) -- Score/part to II : Reading (8 leaves)
University at Buffalo, State University of New York
Title pages 1-3 -- Performance description (1-6) -- The Referee (A-B) -- The recording of the tapes (1A, 2A, 3A)
Northwestern University
Holograph diagrammatic full score in ink and pencil on grid paper and pasted to folded cardboard with performance markings in red and blue crayon (2 leaves ; 36 x 36 cm) -- Parts for Flute III and Tuba (matching clarinet part in score) in John Cage's hand written in ink on file folders (2 parts ; 30 cm) -- Holograph diagrammatic full score (diazotype) from the same originals used in the 1962 Peters edition with typescript program notes (diazotype) as cover (2 unnumbered pages, 19 pages ; 17 x 32 cm) -- Holograph diagrammatic score of the version for two pianos (diazotype) from the same originals used in the 1965 Peters edition with holograph performance instructions signed and dated January 15, 1960 in pencil on the cover and a stage layout in John Cage's hand written in blue ink and pencil on page 6 (2 unnumbered pages, 5 pages, 1 unnumbered page ; 24 x 30 cm)
University of Wisconsin, Milwaukee, UWM Libraries
Collection provides documentation of most of the Yannay catalog, as well as some musical events and series with which Yannay was involved, such as the Music From Almost Yesterday concert series. The documentation takes a variety of forms and usually includes scores and parts, but also often recordings, ephemera, props, and promotional material. Material dates from 1956 to 2006
Getty Research Institute
The collection comprehensively documents David Tudor's participation in post-World War II experimental and avant-garde music and aspects of his personal life until his death in 1996. Scores by other composers, notably John Cage, Earle Brown, Morton Feldman, Christian Wolff, Sylvano Bussotti and Karlheinz Stockhausen, Tudor's realizations of their scores and his electronic compositional materials, form the most significant part of the collection. Extensive project files concern the scheduling and development of his piano concerts, electronic compositions and performances with the Merce Cunningham Dance Company. Electronic research files with equipment catalogs and notes show how Tudor taught himself complicated mathematics, equipment systems and circuitry in order to gain the requisite technical knowledge to compose his electronic work. Articles and reviews, a nearly complete set of Tudor's programs, more than 500 audio tapes, some videotapes, and photographs augment the documentation ... Read More

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