Smithsonian Institution - Archives of American Art
The papers of illustrator, xerography artist, filmmaker, and educator Esta Nesbitt date from circa 1942-1981, with the bulk of the material dated 1964-1975, and measure 10.5 linear feet. They consist of biographical material, correspondence, writings, xerography research files, project and exhibition files, and printed material. Much of the collection relates to Nesbitt's xerography work. Additionally, the collection includes motion picture film and sound recordings related to her film and performance work
University of California, Berkeley
Fliers promoting concerts by punk bands and other performers at numerous venues in San Francisco and other Bay Area locations. Several venues from Los Angeles are also represented. Among the hundreds of performers listed on fliers are Mutants, Flipper, Romeo Void, Social Unrest, Tuxedo Moon, Flamin' Groovies, Lloyds, Dead Kennedys, Los Microwaves, Punts, Jars, Voice Farm, Henry Kaiser, Vktms, No Alternative, Golden Gate Jumpers, Mr. E and the Necromantics, Appliances, Job, Ultrasheen, Indoor Life, Roy Loney and the Phantom Movers, Barry Beam, Hostages, Silvertone, Roommates, Lewd, Jane Dornacker, Jo Allen and the Shapes, Dickheads, Wolvarines, Cosmetics, MIddle Class, Fun Addicts, Blok, Hoovers, Elements of Style, No Sisters, Contractions, Eye Protection, Wasp Women, Valkays, Peter Bilt & the Expressions, Slits, Minimal Man, Nu Models, Titans, Snakefinger, B People, Earl Zero, Varve, Good Samaritans, Dils, Weirdos, Zeros, X, Wall of Voodoo, Circle Jerks, Black Flag, Go-Gos, Bags, ... Read More
Getty Research Institute
Five collections of mail art gathered by Bern Porter from his own collection (sometimes sent c/o his Institute for Advanced Thinking) and those of fellow mail artists John Pyros (c/o the Epistolary Stud Farm), Carlo Pittore (né Charles Stanley), Robert Saunders and Jay Yager. Highlights are the original contributions submitted to Pryos, Saunders and Yager for inclusion in mail art exhibitions they curated. Also noteworthy are letters sent to Pittore, Pyros and Saunders, which often mention the mail art network and the work and personal life of the corresponding artist
The College at Brockport - Drake Memorial Library
Collection contains works created between 1979 and 1999 with the majority of materials from 1985 to 1989. It is comprised primarily of mail art magazines containing work by international poets, authors, editors, and artists mailed to Scott Dohring's magazine Foist. Mail art from Belgium, Brazil, Canada, France, Ireland, Italy, Japan, Uruguay, United Kingdon and United States is represented in the collection. Name and title entries were verified on WorldCat or in Geza Perneczky's 2003, two volume, over 600 page, Network Atlas: works and publications by the people of the first network. A historical atlas for the Post-Fluxus movements as mail art, visual poetry, copy art, stamp art & other relative trends with addresses, projects, publications & exhibition events
Smithsonian Institution - Archives of American Art
The papers of illustrator, xerography artist, filmmaker, and educator Esta Nesbitt date from circa 1942-1981, with the bulk of the material dated 1964-1975, and measure 10.4 linear feet. They consist of biographical material, correspondence, writings, xerography research files, project and exhibition files, and printed material. Much of the collection relates to Nesbitt's xerography work. Additionally, the collection includes motion picture film and sound recordings related to her film and performance work
University of California, Berkeley
Mostly fliers, with some posters and smaller handbills, promoting concerts by punk bands and other performers at numerous venues in San Francisco and other Bay Area locations. Among the hundreds of performers listed on fliers are Dead Kennedys, Mutants, Psychotic Pineapple, Flipper, Romeo Void, Social Unrest, Tuxedo Moon, Mr. T Experience, Flamin' Groovies, Ivy and the Eaters, Lloyds, Los Microwaves, Naked Lady Wrestlers, Punts, Jars, Voice Farm, Henry Kaiser, Avengers, Green Day, Soul Rebels, Vktms, Peter Bilt & the Expressions, Factrix, Isocracy, Dils, Weirdos, Zeros, X, Wall of Voodoo, Circle Jerks, Black Flag, Screamers, Go-Gos, Bags, Crime, Dickies, Brainiacs, Suburban Lawns, Offs, Wasted Youth, D.O.A., Devo, Faith No More, Melvins, and the Dwarves. Among the dozens of Bay Area venues represented are 924 Gilman (Gilman Street Project), Barrington Hall, Berkeley Square, Club Foot, The Farm, Mabuhay Gardens, On Broadway, Pauley Ballroom, Ruthie's Inn, Savoy Tivoli and The Temple ... Read More
University of California, Santa Cruz
This collection contains miscellaneous writings, copy art and photographs
Getty Research Institute
An ensemble of original works and printed matter documenting Brown's intent to build a useable study collection of avant-garde materials, dating from 1916-1995 (bulk 1960-1985). In-depth holdings by artists participating in Fluxus, happenings, concrete, sound and visual poetry, mail art, copy art, rubber stamp printing, new music, and video and performance art underscore her range of interests. The collection's broad scope presents a comprehensive account of alternative movements, distribution networks and exhibition venues of the 1960s and 1970s
Getty Research Institute
The Ginny Lloyd Mail Art Archive consists of correspondence; ephemera; mail art and xerox art from an international range of artists; and files related to Inter Dada Fests coorganized by Lloyd in 1980 and 1984. Also present are Lloyd's own publications, including material relating to her 1983 Blitzkunst project, and multiples produced in a variety of media
Smithsonian Institution - Archives of American Art
The manual describes the function of Living American Art, Inc., and gives information regarding the process by which paintings are chosen for printing and commercial purposes, the jury members, the artists and their rights to royalties, etc

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