Smithsonian Institution - Archives of American Art
The materials, almost entirely printed matter, consist of exhibition catalogues, announcements, books, pamphlets, newsletters, flyers, broadsides, calendar, prospectus cards, clippings, and posters generated by central and orbital figures associated with Fluxus: Allan Kaprow, Charlotte Moorman, Dick Higgins, Ray Johnson, George Maciunas, Peter Moore, and Richard Kostelanetz
Getty Research Institute
This collection of 420 letters, with a few manuscripts and clippings details Hausmann's life in exile and chronicles his professional activities from 1945-1971, with most letters dating to the 1960s. Letters with artists, writers, dealers, critics and publishers contain detailed accounts of the original artists of Berlin Dada, including arguments over the interpretation and importance of various artists (including Hannah Höch, John Heartfield) and works within the Dada movement. Hausmann refers frequently to his work in phonetic poetry and other of his "inventions." Letters also contain discussions of post-war art movements and political events
School of The Art Institute of Chicago - John M. Flaxman Library
Museum of Modern Art
These papers comprise a portion of the Gilbert and Lila Silverman Fluxus Collection (the rest of the collection is housed with the Department of Prints and Illustrated Books and the Museum's Library). The Silverman Collection was built and organized by scholar Jon Hendricks starting c. 1977, working with collectors Gilbert and Lila Silverman. It grew into one of the world's largest collection of artwork, documentation, and published materials related to Fluxus, an international network of artists based primarily in New York in the 1960s and '70s, and particularly its founder, George Maciunas (1931-1978). These papers contain documentation, artifacts, and artworks gathered by Hendricks for the Collection, as well as the administrative records produced in the process. The collected records include correspondence between artists, ephemera, documentation of Fluxus plans and events, as well as much material from the studio/estate of George Maciunas. The created records include ... Read More
New York Public Library
Collection consists of objects, text scores, correspondence art, gallery announcements, concert programs, posters and other items produced by and/or relating to the Fluxus group of artists, ca. 1958-1987 -- Highlights include: multiple edition Fluxus objects, e.g. George Brecht's Water yam, 1963, Robert Watts' Events, 1964, Joseph Beuys' Zwei Fräulein mit leuchtendem Brot, 1966, and Yoko Ono's A box of smile, signed in 1984; complete set of the Fluxus in-house newspaper, V TRE, 1963-1978; posters from Charlotte Moorman's Annual New York Avant-Garde Festivals, 1964-1980; signed performance poems and "text-sound texts" by Jackson Mac Low; performance programs from La Monte Young and Yoko Ono's Chamber Street Loft Series, ca. 1961-1962. Many items are inscribed to the collector, Ellsworth Snyder
Ohio State University
Robin Crozier, 1936-2001, an English polyartist, was active as a mail artist, visual poet, word artist, graphic artist, Fluxus artist, and collaborator. This collection includes examples of all of these activities in the form of publications, artists' books, and other materials
Ohio State University
Collection consists of four groups of cards, several hundred in all, from the Emily Harvey Gallery exhibit, gathered by Mark Bloch, Tamara Wyndham, Steve Dalachinsky, and Keith Buchholz; a printout of the blog for that exhibit - http://abookaboutdeath.blogspot.com/ - and for the Queens Museum of Art exhibit; correspondence about the collection, and other material
Getty Research Institute
Collection consists of letters, especially mailart, prints, collages, invitations and catalogues sent to Jeff Berner by Lourdes Castro between 1966 and 1987. Several of her letters are written on printed invitations and announcements, including posters, for her exhibitions. Others include collage and small plastic objects made by Castro, as well as a few photographs. One of the photos is a snapshot of her husband, the artist René Bertholo. Six of her prints are included, most of which are silkscreen prints. The bulk of the material consists of invitations, announcements and catalogues for Castro's exhibits in Europe. Two of the posters are printed on muslin, one on a sheet of plastic. Also in the archive is a copy of Castro's book Par suite, consisting entirely of illustrations
University of Maryland, Baltimore County - Albin O. Kuhn Library and Gallery
The Dick Higgins Collection spans the years 1958 to 2002 and is 17.5 linear feet. Materials include artwork, publications, and exhibition items. Over one hundred items have been cataloged and are searchable in the USMAI catalog; like the rest of the collection materials, these publications can be viewed in the Special Collections Reading Room only. There are three major divisions within the Dick Higgins Collection and they correspond to the official series: a sampling of Dick Higgins' artwork, publications, and exhibition materials; publications from Something Else Press; and individual and collaborative artwork and publications from members of the greater Fluxus movement. With the exception of the ReFlux Editions items housed in Series III. B, all items were donated from Higgins' studio by Alison Knowles. Selections from ReFlux Editions' "Flux Kit" collection were purchased by the library in 2002. This collection provides an overview of Fluxus artwork and includes rare examples from ... Read More
Getty Research Institute
The archive documents Schneemann's performances, happenings, film and book production, and exhibitions from 1959-1994. It includes original materials relating to performances and publication projects in the form of notes, drawings, performance scripts and mss.; correspondence with visual, literary and performing artists, art critics, and other individuals prominent in the international avant-garde; printed ephemera, artists' books, and Fluxus objects by Schneemann and others; lecture notes and other materials pertaining to Schneemann as teacher and lecturer; research files on performance and feminist topics; mss. by others about Schneemann's work; and photograph albums which provide visual documentation of much of her performance work

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