Emory University - Manuscript, Archives, and Rare Book Collection
The collection consists of materials relating to the Blue Rat Gallery from 1983-2007 and includes administrative records, artwork, audiovisual material, photographs and scrapbooks, and promotional material. Administrative records contain artist agreements and biographies, financial records, a small amount of correspondence, meeting notes, and a guest register that includes names of visitors to numerous gallery shows. James Farmer's audiovisual recordings are primarily of gallery events, including audience footage and performances by The Nightporters, Teenz n Heat, and the Section Eight Dancers; poetry readings by Jay Wiggins, Phreddie Vomit, and Kennan Raines; and numerous exhibition openings. One film, "Carrot Man," was an attempt by Bob Burden, along with Clark Brown, James Farmer and others, to experiment with a live-action version of Burden's comic book Flaming Carrot. Photographs and scrapbooks include both photography by Blue Rat artists and candid snapshots of events in various ... Read More
Mills College - F.W. Olin Library
(Rock scene, May 1976) -- -- (Rock scene, May 1976) -- -- Charles Shaar Murray -- (Musical express, Oct. 23, 1976) -- -- Stephen Demorest -- (Sounds, Jan. 21, 1978) -- -- (Rock scene, June 1978) -- -- Andy Schwartz -- (New York rocker, June-July 1979) -- -- (All the young dudes, 197-
Yale University
Collection of design material, printed ephemera, photocopies of clippings, and one photograph relating to British punk band Poison Girls. Design materials, attributed to Bernhardt Rebour and Crass band member Penny Rimbaud, include mockups for albums and tours, and ephemera relating to long-playing records includes the insert for Hex (1980) and posters for Chappaquiddick Bridge (1980) and Total Exposure (1981). Clippings, including interviews, document the group's activities and beliefs, also mentioning Crass, during 1980 and 1981. Black-and-white photograph by Jill Posener includes band members Vi Subversa, Richard Famous, Lance d'Boyle, and Bernhardt Rebours
New York University Libraries
The Sylvère Lotringer Papers and Semiotext(e) Archive includes correspondence, manuscripts, clippings, financial records, and audiovisual material associated with Lotringer's work as a literary critic and cultural theorist, and as the founder of the journal and independent press Semiotext(e). The collection is arranged into 13 Series:SERIES I: Correspondence contains both Sylvère Lotringer's personal correspondence and the correspondence of the Semiotext(e) group. It has been arranged into five
Cornell University Libraries
Collection consists of interview notes taken by Bart Mills, newspaper and magazine clippings, press releases, press photos and slides, and other materials relating to punk music. Includes files on Hugh Cornwell of the Stranglers and the film "Rude Boy," a film about a roadie for the Clash. Also includes materials on the Sex Pistols, Patti Smith, and other musicians
Cornell University Libraries
Collection includes original art, photographs and fliers, a 1977 fan club application, press kits, press releases, files of handwritten lyrics, letters, press clippings and magazines, including TOLO, the Franklin High School (Seattle, WA) Newsletter with articles authored by Tommy Tibbits (Gear), a notebook that belonged to Tomata du Plenty (1978), touring, publicity and business plans, guest lists, fan club mailing lists, plans to release a debut album in video form, and other business records and correspondence
Cornell University Libraries
Catalogs of punk-style clothing and accessories
Cornell University Libraries
40 items including posters, flyers, handbills, lyric sheets, LP inserts, record covers, audiocassette tape covers, and other ephemera, documenting the band's performances in Brazil, Canada, France, Japan, and Mexico, as well as in many U.S. cities. Included is the flyer for the band's first performance in 1991, as well as the poster for its final concert in 1998, which is an original linocut print produced by the noted gallery and printmaking workshop Taller Mestizarte. Also included are one issue of the zine Conexion rockeria (Broadville, Illinois); an original artwork using photocopy, two-color serigraphy and collage, for the cover of a 45 rpm extended play record, Las injusticias caen como pesadillas (1993); and a flyer for a Los Crudos concert in Santiago de Queretaro, Mexico, with questions handwritten in Spanish on the back, from a writer for a Mexican punk zine who interviewed the band
Cornell University Libraries
Manuscripts, ephemera, photographs, posters, clippings, and other materials documenting the queer punk, performance and club scenes in San Francisco from the mid-1980s through the mid-1990s, at a time when AIDS was devastating the city's gay population and when the activist groups ACT UP and Queer Nation emerged in response to the epidemic. The papers focus on the Popstitutes and the many other initiatives by Collins and other group members and associates in the following decade, including Playstitute and Klubstitute. The personal collection of manuscripts, ephemera, posters, photographs and other materials documenting the groundbreaking queer punk, performance and club scenes in San Francisco from the mid-1980s through the mid-1990s, at a time when AIDS was devastating the city's gay population and when the activist groups ACT UP and Queer Nation emerged in response to the epidemic. With more than 425 leaves of typescripts and manuscripts and more than 900 items of ephemera and ... Read More
Indiana University - Archives of African American Music and Culture
Collection consists of casting, production, and promotional materials used by James Spooner in the production of his film White Lies, Black Sheep and materials associated with the film Afro-Punk including interview footage, promotional materials, film festival awards, and periodicals in which the film and/or Spooner was highlighted.


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