Getty Research Institute
An ensemble of original works and printed matter documenting Brown's intent to build a useable study collection of avant-garde materials, dating from 1916-1995 (bulk 1960-1985). In-depth holdings by artists participating in Fluxus, happenings, concrete, sound and visual poetry, mail art, copy art, rubber stamp printing, new music, and video and performance art underscore her range of interests. The collection's broad scope presents a comprehensive account of alternative movements, distribution networks and exhibition venues of the 1960s and 1970s
Getty Research Institute
Collected by Wolf Vostell's friend, the German art critic Heinz Ohff, the Wolf Vostell papers document the activities of one of Europe's pioneers in video art, Happenings, and Fluxus. The bulk of the material dates from the 1970s and the early 1980s, a prolific period in Vostell's career. Including correspondence, signed drawings and notes, press clippings, invitations to Happenings and exhibitions, posters, and other printed ephemera, the collection provides a broad, if selective, overview of Vostell's career and art. Many of the items are signed, dedicated, initialed, stamped and/or hand-written by Vostell, often in the form of correspondence to Ohff. Particluarly well documented are several of Vostell's Happenings, his first retrospective exhibition in Paris in 1974, the mobile museum Fluxus Zug (Fluxus Train), the Vostell Environment Museum, the Vostell Archive in Berlin, and his work for the Museo Vostell de Malpartida de Cáceres in Spain. Also included are ephemera from ... Read More
Getty Research Institute
Getty Research Institute
This tape relates to an exhibition of Stoerchle's video and performance art at the Santa Barbara Contemporary Arts Forum on Dec. 12, 1982. His videotapes were shown continuously throughout the day, and in the evening Daniel Lentz, Dick Dunlap, and Sam Erenberg recreated some of Stoerchle's performance pieces
Getty Research Institute
The Getty Research Institute presented the California Video Screening Series in association with the California Video exhibition at the J. Paul Getty Museum. Each of the screenings was organized by a guest curator and expressed an alternative view of the diverse history of video art in California. Each screening features several works. The recordings include some lectures (presented by the hosts of the events) and/or conversations regarding the screenings
University of Minnesota - Twin Cities
Photographs include "Phrenology analysis no. 7" (dated 9/17/77), three contact sheets featuring portraits of diverse people holding doll heads, and four video stills of Heske's video art project "All the world's a stage etc. etc.".
Stanford University
Hernandez is an artist of the first generation of Chicano and Chicana artists who participated in the Chicano art movement that began in the late 1960s as part of the Chicano civil rights movement. Her collection represents more than twenty-five years of involvement in many of the most important historical activities of this period, including the farmworkers' movement, the feminist movement, international environmental movements, and the art movement itself, including the visual, literary, and performing arts. A California Bay Area artist, Hernandez is primarily known as a printmaker and pastel artist. She has also created a lesser-known body of photographic and performance work
Smithsonian Institution - Archives of American Art
Three video interviews (on four DVDs) with Paul Ryan, Frank Gillette, and Ira Schneider, founders of the Raindance Corporation, conducted in 1992 by John Giancola, regarding a history of the Raindance Corporation. Interviews include discussions on the early video movement in New York, the formation of the Raindance Corporation, critical issues in considering video as an art form, and the publication of the collective's magazine Radical Software. DVD formats contain embedded indexes
Smithsonian Institution - Archives of American Art
Outtake and master copy videotapes. Included are episodes on sound sculptor Liz Phillips; video artist Nam June Paik; sculptor George Segal; New Museum director Marcia Tucker; Ivan Karp of the OK Harris Gallery in New York City, and photographers Rick Derman, Cosmos, and Tom Drysdale who exhibited there; and a debate on modern art between Dr. Martin Abend and Professor Peter Fingesten at the Museum of Modern Art, 1979
School of The Art Institute of Chicago - John M. Flaxman Library

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