State Library of Queensland
Unidentified black and white negatives of family groups, weddings, camping trips and early motor bikes
Smithsonian Institution - National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.9 consists of negatives used for publication. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Chicago History Museum
Primarily individual, dressed display mannequins from the Chas. A. Stevens & Bros State Street women's apparel store, ca. 1970. Includes the street and pedestrian traffic outside the store (1952) and two window display images (ca. 1908) in copy negative form
Smithsonian Institution - National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Smithsonian Institution - National Museum of American History
Scope and Contents note The materials document negatives that could not be connected to a specific client. The subjects include art, buildings, and unidentified individuals.
Smithsonian Institution - National Museum of American History
Scope and Contents The materials document the orders placed by the clients of the Scurlock Studio. The photographs primarily depict individual portrait sittings but there are also portraits of children, groups, and other subjects.
Smithsonian Institution - National Museum of American History
Scope and Contents note The vast majority of the negatives are individual portrait sittings but there are some family and group portraits. The box numbers in the finding aid are the old freezer box numbers and are not reflective of the physical number of boxes; when the negatives were rehoused, the physical number of boxes were reduced and the old freezer box numbers were retained in combination on boxes. The beginning and end of a freezer box is demarcated by blue dividers inside the new boxes.
Smithsonian Institution - National Museum of American History
Scope and Contents note The majority of materials are portrait sittings of individuals but there are also formal portraits of couples, families, groups, and organizations.
University of California, Santa Barbara - Davidson Library
Eight black and white negatives
Cornell University - Division of Rare and Manuscript Collections
Correspondence, drawings, legal documents, black and white negatives, prints, films and department history.