Smithsonian Center for Folklife and Cultural Heritage
This collection contains audio recordings made by Alma Mater Recording Company, featuring camp, folk, pop and broadway songs recorded at various summer camps and schools in New York, Pennsylvania, Vermont, Ohio, Connecticut, Massachusetts, New Hampshire and North Carolina.
Smithsonian Center for Folklife and Cultural Heritage
The Bruce Mondschain Photographs compiled by Illinois-based photographer Bruce Mondschain are a collection of 5 photographs of Pete Seeger taken at his home in Beacon, NY, on November 3, 2005.
Smithsonian Center for Folklife and Cultural Heritage
This collection documents the activities of Joe Glazer's record label Collector Records. Materials include the label's original commercial recordings, paper records related to day-to-day business operations and production, field recordings made by Joe Glazer, and Glazer's personal music collection.
Smithsonian Center for Folklife and Cultural Heritage
The Cook Labs records, which date from 1939-2002, document the activities of audio engineer Emory Cook and his label Cook Labs. The contents include business records, materials relating to recording artists, photographs, and production materials, as well as phonograph records, master recordings and unpublished recordings produced by or associated with the Cook Labs label. The collection also contains two interviews conducted with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer. There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.
Smithsonian Center for Folklife and Cultural Heritage
The Diana Davies photographs consist of images taken by Diana Davies at various stages of her career. Locations include the Festival of American Folklife, the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's Campaign, various peace and protest marches and outdoor performances, New York City, and the Georgia Sea Islands. The collection includes contact sheets, negatives, photographic prints, and slides. Original photographs, negatives, and color slides taken by Diana Davies. Materials date from 1963-2009. Bulk dates: Newport Folk Festival, 1963-1969, 1987, 1992; Philadelphia Folk Festival, 1967-1968, 1987.
Smithsonian Center for Folklife and Cultural Heritage
This collection contains 73 open reel tapes, made by Eric H. Davidson between 1958-1984, featuring the traditional music of Southern Appalachia.
Smithsonian Center for Folklife and Cultural Heritage
The J. Scott Odell folk music collection (1945-2016, inclusive) contains AV recordings, photographs, correspondence, writings, and other materials relating to Odell's career at the Smithsonian as a musical instrument conservator and researcher of American music traditions. The collection largely consists of materials relating to Odell's research trips (often combined with personal visits) throughout the Eastern United States. Research strengths of the collection include the history of the Appalachian dulcimer and banjo, the Smithsonian Folkways project "Black Banjo Songsters," musician and poet Burt Porter, and the Bread and Puppet Theater.
Smithsonian Center for Folklife and Cultural Heritage
The Lee Hays papers measures 7.85 cubic feet and dates from 1923 to 1981. The collection includes original writings, correspondence, and miscellaneous projects by Lee Hays; business records, interviews and features related to Lee Hays, including photographs; clippings saved by Lee Hays; and audiorecordings made by Lee Hays.
Smithsonian Center for Folklife and Cultural Heritage
This collection consists of 754 pen-and-ink, watercolor, and gouache drawings and paintings by artist Lily Spandorf. They depict scenes from various years of the Festival of American Folklife and its successor, the Smithsonian Folklife Festival.
Smithsonian Center for Folklife and Cultural Heritage
London Library of Recorded English was a 6-volume Anthology of English Literature, consisting of poetry spanning 16th-20th century England, read aloud by well-known British poets, scholars, and actors. The first four recordings were edited by poet-scholars V.C. Clinton-Baddeley and Joseph Compton, and when it was acquired by Britam Agencies in 1955, Clinton-Baddeley stayed on to create two more releases. The collection contains 6 LP recordings, as well as the business papers associated with the creation and management of the Anthology.