This collection includes 329 black and white photographic prints, measuring 8 x 10 inches or smaller, that depict African art objects and were published in Warren M. Robbins' book, African Art in American Collections (New York, Washington, London: Praeger, 1966).
Photographs taken by Anni Siranne-Coplan in 1975 and 1976 of daily life in Benin, Ghana, Nigeria and Togo. Images depict architecture, open air markets and street scenes in cities, coastal towns and rural villages.
The collection consists of one postcard and 67 photographs documenting the installation for and art objects in the exhibition "African Art from Nigeria and the Ivory Coast" (April 6-25, 1983), held at the Sarah Lawrence College Art Galley, and curated by Barbara Jarocki. The postcard is an invitation to the opening reception.
The collection consists of 3,194 color photographs (20 x 24 inches or smaller), 2,487 color 35mm negatives, 11 posters and 24 art prints, created circa 1981-2009 by Betty LaDuke. Additionally, printed materials including a copy of a sketchbook, biographical materials, correspondence, publications, exhibition reviews, and 2 DVDs. The negatives and photographs depict architecture, agricultural work, beadwork, weaving, village scenes, artists, artists at work, artworks, markets, celebrations, scenic views, animals, churches and mosques. Most of the photos depict Kunama or Saho peoples, particularly women and children. LaDuke also regularly photographed war zones during the Border War, especially those in Nakfa and Gelebe, portraying Internally Displaced Persons (IDP) camps. Locations include villages in Ethiopia and Eritrea, particularly Senafe, Nakfa and Massawa, as well as Border War zones various battlefields and camps for internally displaced persons.
Photographs taken by Beverly Mack in Sierra Leone and of the Hausa people in Kano, Nigeria. The photographs document the cultures of northern Nigeria and Sierra Leone, including the Hausa people. Locations include Fourah Bay College in Freetown and Port Loko, Sierra Leone, and Kana and Zaria, Nigeria. Africans are shown buying and selling in markets, holding an Islamic celebration at the palace in Kano and riding horses. Architecture shown includes exteriors and interiors of buildings such as houses and Islamic structures, as well as street scenes.