New York Public Library
Collection of 257 reel-to-reel tapes of Luening's works (primarily from the late 50s, 60s, and 70s), performed by various performers and groups, as well as works written by others (students and associates of Luening). Also includes recordings of various talks, lectures, and demonstrations given by Luening, and concerts given in his honor
Stanford University
The collection includes correspondence, articles, lab notebooks, musical scores, audio recordings, computer files, and other materials related to the professional work of computer music pioneer Max V. Mathews. Correspondents of note include Jean-Claude Risset and Pierre Boulez. Also included are several films by Lillian Schwartz with music by Mathews
Getty Research Institute
Audio tracks produced by the Getty Research Institute for the listening station in the exhibit "SEA TAILS: a Video Collaboration.". -- The sources of the recordings are in the Getty's collections as follows: example 1 is from track 3, Side A from David Tudor, Sea Tails, 1983 (David Tudor papers, accession no. 980039, C19); example 2 is a mix from the 3 DVDs of Mollie Davies, Sea Tails [videorecording], 1983 (accession no. 2003.M.24); and example 3 is from Documentation of Sea tails video installation, Theater am Turm, Frankfurt, Germany [videorecording], 1983 October (accession no. 2004.M.5)
University at Buffalo, State University of New York
Session -- Reading -- Recital -- Lecture
University at Buffalo, State University of New York
University at Buffalo, State University of New York
The collection contains Lejaren Hiller's personal collections of reel to reel tapes pertaining to his compositional output. It includes recordings of live performances of works as well as recordings of some of the electronic source materials used in other compositions
University at Buffalo, State University of New York
Northwestern University
The Noah Creshevsky Collection at the Northwestern University Music Library spans the years 1966-2005 and documents Creshevsky's compositional career. The collection consists of articles written by and about him as well as compact discs, scores, and texts of his works. The folder of press clippings includes a March 2004 review from Gramophone and an article about Creshevsky's sixtieth birthday celebration in the newsletter of the Institute for Studies in American Music. The Writings folder contains an article by Creshevsky that was published in Contemporary Music Review. In this article, Creshevsky discusses his compositional techniques and his strategies for using an "expanded sonic palette." The bulk of the collection highlights Creshevsky's music and includes 21 CDs and 10 scores. These musical materials are chiefly non-commercial
New York Public Library
The John Watts papers contain materials spanning the years 1947 to 1981 and cover the professional musical career of the composer, John Watts -- The collection is primarily comprised of scores and includes many of Watts' compositions (both published and unpublished), sketches, and drafts, such as the first piece he performed publicly with the ARP synthesizer, Elegy to Chimney (1972) and his last performed work, Time Coded Woman (1982). Of special note are the "environmental" scores, collages created by Watts and meant to be played intuitively by instrumentalists. Correspondence includes letters between Watts and his friends and colleagues, most notably a selection of letters between Watts and his first wife written during his period of military service. Grant materials contain applications for various federal and private grant programs, not only for personal work, but also on behalf of the Composers Theatre. Watts' teaching materials include class lists, flyers, grades, and other ... Read More
New York Public Library

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