Smithsonian Institution - Archives of American Art
Photographs of Kempton with members of the Truman and Johnson Adminstrations during the presentation of her portraits of Harry S. Truman; photographs of works of art; news clippings and releases; correspondence, much of it with members of prominent families whose portraits she painted; exhibition catalogs and announcements; biographical material; writings by Kempton, including recollections of her experience painting portraits of the Truman family; and printed material
Smithsonian Institution - Archives of American Art
The collection documents Bishop's painting career, her friendship with other artists, and her participation in several arts organizations. There are scattered biographical documents, correspondence with fellow artists such as Peggy Bacon, Warren Chappell, Edward Laning, and R. B. Kitaj, and with writers, curators, museums, galleries, arts organizations, and others. Also found are arts organization files, Bishop's writings about Warren Chappell and friend Reginald Marsh, notes, exhibition catalogs, news clippings, and other printed material, photographs of Bishop and her artwork, and photographs of Reginald and Felicia Marsh. Original artwork includes 8 sketchbooks, loose sketches, prints, and watercolor figure studies
Smithsonian Institution - Archives of American Art
A resume; a graduation program, 1967; 6 letters, 1967-1981; clippings; exhibition announcements and catalogs; theater announcements and programs, 1974-1982, illustrated by Sween; press releases; posters, undated and 1976-1977, designed by Sween; 5 sketches, undated and 1975-1977; an award medal, "Main Street '75 Commemorative Medallion" designed by Sween; a transcript of an interview, undated, conducted by Anita Davidson; poems written by Sween, 1975-1980; booklets of poems illustrated by Sween, 1965-1967; programs for theater productions, 1973-1980, containing credits for Sween; and photographs, undated, 1971-1983, of Sween, her work, and art related events
Smithsonian Institution - Archives of American Art
Biographical and career data, transcript of an interview with Marcus, correspondence and cards, miscellaneous writings, financial material, exhibition catalogs and announcements, clippings and other printed material, childhood memorabilia, tape recordings, 35mm filmstrips, photographs, slides and negatives of Marcus, her family and friends, her works of art, and miscellany
Smithsonian Institution - Archives of American Art
Biographical material; correspondence, 1937-1957, with Pierre Jacquemon and others; an illustrated notebook; lists of works of art with disposition information; a scrapbook containing two letters from Hans Hofmann, 1936 and 1956, and printed material; exhibition announcements and catalogs; clippings and printed material; and photographs of Clark in her studio and with others, and of her works of art
Smithsonian Institution - Archives of American Art
Correspondence and papers relating primarily to Archambault's work in miniatures. Omitted from microfilming are photographs of Archambault's sitters and models
Smithsonian Institution - Archives of American Art
Biographical material; correspondence, 1938, 1966-1979; a silkscreen, 2 etchings, sketches, and collages; 41 sketchbooks, 1937-1977; published and unpublished writings by Ludwig; copies of posters designed by Ludwig and her family; photographs, slides, and xerox copies of works of art; financial documents; exhibition catalogs, clippings and other printed matter
Smithsonian Institution - Archives of American Art
Ca. 20 letters; exhibition catalogs and announcements; newspaper clippings; magazine articles; press releases; and 16 sketchbooks
Smithsonian Institution - Archives of American Art
Material relating to Baasch's work: exhibition catalogues and announcements, clippings, thirty letters, two home movie films, photographs of the artist and her works, a sketchbook, and a list of her paintings and their owners
Smithsonian Institution - Archives of American Art
Found within the papers are biographical material, correspondence, and records relating to Butler's long participation in the Fellowship of the Pennsylvania Academy of the Fine Arts. Also found are notes and writings, a scrapbook, printed material, and photographs of Butler, her friends, her studio in Ogunquit, Maine, her landscape paintings, and exhibition installations

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