George P. Thresher Negative Collection of the Southwest, approximately 1898-approximately 1910

Thresher, G. P. (George P.).


408 photographs in 8 boxes : 83 glass plate negatives and 129 film negatives in 7 boxes; 8 lantern slides and 188 copy prints made from the original negatives in 1 box.
A collection of glass plate and film negatives by amateur photographer and Los Angeles real estate broker George P. Thresher focusing on the American Southwest and Native Americans of the region, particularly of Arizona, and the Gila River crossing area, from ca. 1898 to 1910. The majority of the Thresher Collection contains images of towns and sites in Arizona, including Phoenix, Mission San Xavier del Bac, Montezuma Castle, Peach Springs, and adobe ruins. Photographs of Texas are well represented in the collection, including many views of Missions San Concepcion, San Antonio de Valero (the Alamo), San Francisco de la Espada, and Mission San Jose y San Miguel de Aguayo. There are also images of Colorado (Garden of the Gods, Pike's Peak, and Castle Rock), New Mexico (Santa Fe, Tesuque, and possibly Laguna), and unidentified pueblos. Notable portraits from California are of Victoriano, chief of the Soboba Indians, and his unnamed third wife. There is a separate and very interesting sequence of images depicting the Mount Beauty Mine and its operations in San Diego County, California. A small assortment of lantern slides is at the end of the collection showing Indians of Arizona, California, and New Mexico.
George P. Thresher (1854-1927) was an amateur photographer and real estate developer in Los Angeles, California. At various points in his career, he served as the Director of the Artesian Company of Los Angeles and the Vice President of the Los Angeles Building Company. Thresher took up photography at some point in his life, concentrating his efforts on California and the Southwest. A few of his photographs depicting missions and similar subjects appear in books by noted lecturer, author, and promoter, George Wharton James.
Advance arrangements for viewing negatives must be made with the Curator of Photographs.

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